However, beyond any scientific explanation, the one thing that is certain is that the ‘Lefkaritiko’ evolved. This evolution is due to the woman of Lefkara who created, really artistically and with no technological tools, numerous designs for the embroideries that were usually taken from nature such as sun, daisies, rivers etc.
According to the famous painter Telemachos Kanthos, the ‘Lefkaritiko’ lace that was developed in the years 1920-1930 is perhaps within the ten best kinds of traditional art, internationally. Until the years of the English occupation (1878-1960), embroideries were the main work of Lefkara women.
However, up to that time the financial profits from making the embroideries were minimum. That was until some English noble ladies spotted the embroideries and offered high prices to get them. Slowly, Lefkara people started realizing the true worth of the embroideries.
One important name in the history of the ‘Lefkaritiko’ lace is Theofila Hajiandoni. She gathered many embroideries and in 1896 she went to Alexandria, where she tried to sell them to Greeks who lived there. But her efforts were not successful. However, when she returned to Lefkara, she knew what buyers were looking for and she promoted it. She and her husband, once again, gathered some embroideries and set off to Alexandria. This time when they returned they were rich enough to make other Lefkara people want to try traveling to Egypt and selling their lace. By 1900, the Egyptian market was full of embroideries from Lefkara.
There was now a new class in the village, the people who made the embroideries. Slowly they started trading all over the world like France, Turkey, Greece, England, Spain, Italy, Germany, Switzerland, Scandinavian countries, Austria, Hungary etc.
The Lefkara people started promoting their embroideries by attending international exhibitions all over Europe. Gradually other villages of Cyprus started making similar embroideries and their trade with other countries was then national news as many articles were written about it in the country’s newspapers.
The economic and social life of the people in Lefkara was changed because of their profitable trade. At a time when the rest of Cyprus was in an economical disadvantage, the Lefkara area prospered as the embroidery tradesmen abroad sent huge amounts of money annually. Consequently, the people involved with the embroidery trade became important, powerful figures in the Cypriot society.
After the economic crisis of 1929 and the Second World War, the embroidery trade changed. The attention of the tradesmen turned towards England. In the 1960s many turned towards Greece as well. Today the embroidery trade takes place almost exclusively in Lefkara, where thousands of people go every year, both from Cyprus and from the rest of the world.
The artists are the thousands of anonymous Lefkara women that for about a century now, write the history of Lefkara through the ‘Lefkaritiko’ lace. You can see them sitting in their yards or in the streets and create the embroideries. Learning how to manipulate the lace is a process of many levels and not all women reach the top level of ability. However most of them know how to make the traditional type while some of them improvise by using new types of figures. Those figures represent the Cyprus tradition as well as the individual personality and mood of the woman making them.
The first embroideries were created on thick cotton fabric, locally made. Later women started using the ‘hases’, which was an imported thin cotton fabric and ‘bakaris’, a cotton thread. Around 1913, the local lace was used. It was brought from Zodia and Astromeritis, two other villages in Cyprus. Simultaneously, the ‘Lefkaritiko’ design was used on silk with silk thread.
There are certain means to assist the woman making the embroidery:
1) A little pillow, that’s made of a wooden board (20x30 cm) wrapped by a woolen cloth.
2) Pins that are used to keep the embroidery on the pillow.
3) Small scissors for cutting and removing threads.
4) A meter rule that’s necessary for measuring distances.
5) A thin needle for sewing.
6) A plastic finger cover to protect the middle finger.
The main characteristics of the ‘Lefkaritiko’ lace, according to Androulla Hajiyasemi, are the following:
1) It has a neutral color.
2) Both sides of the cloth look the same and cannot be separated.
3) The designs create light and shadow.
4) They are geometric.
5) There is an interchange of the type of design used.
6) Single thread is always used.
7) The laced edge is always the finishing touch.
Lefkara hand made lace is one of the main causes of change and evolution in Lefkara during the last hundred years. However, a problem that’s faced nowadays is the unwillingness of the young girls in Lefkara to learn how to make these wonderful embroideries. Yet, ‘Lefkaritiko’ lace will always be one of the best forms of the Cyprus traditional art.
- R.1: Passed on from generation to generation over many years, the craft of Lefkaritika is sustained by its aesthetic and socio-economic values, providing women of Lefkara with an enviable sense of identity and continuity;
- R.2: Inscription of the element on the Representative List would contribute to raising awareness of the significance of traditional handicraft skills and the successful integration of diverse cultural influences and modern techniques;
- R.3: Efforts to safeguard the element will be carried out by governmental bodies and the communities concerned and will include such measures as creating an archive, organizing contests, establishing scholarships, research projects, a lacemaking school and a foundation;
- R.4: Community involvement is evident at all stages of the nomination, and signed consent letters are testimony of its free, prior and informed consent;
- R.5: Lefkaritika are included in the Heritage Archives of the Municipality of Lefkara and in the Archives of Oral Tradition of the Scientific Research Centre of Cyprus as well as at the National Heritage Index being created by experts at the Cyprus Research Centre.